walking tours – SaltShaker https://www.saltshaker.net Casting a little flavor (and a few aspersions) on the world of food, drink, and life Tue, 25 Aug 2020 16:43:31 +0000 en-US hourly 1 https://wordpress.org/?v=7.1 https://www.saltshaker.net/wp-content/uploads/2020/05/cropped-favicon-32x32.jpg walking tours – SaltShaker https://www.saltshaker.net 32 32 Always a Bridesmaid https://www.saltshaker.net/20090116/always-a-bridesmaid https://www.saltshaker.net/20090116/always-a-bridesmaid#comments Fri, 16 Jan 2009 13:53:06 +0000 https://www.saltshaker.net/?p=1829 Read More Always a Bridesmaid]]>

Hear, mortals, the sacred cry:
“Freedom! Freedom! Freedom!”
Hear the noise of broken chains,
see the noble Equality enthroned.
Their most honorable throne have opened
the United Provinces of the South.
And the free ones of the world reply:
“To the Argentinian people, Hail!”

– from the Argentine National Anthem

Vicente López – This suburban area just north of the city is named after writer, twice interim president – never elected, he just happened to be in the right place at the right time and was asked to fill in after the resignations of two different presidents – and author of the national anthem’s lyrics, some time exile, Vicente López y Planes. I spent a day up there this last week just wandering about – it’s a fairly large zone, generally divided into the este and oeste sides – I chose the west because there were a few things in particular I wanted to see on this trip – and, of course, there was a planned meal destination (which I couldn’t find and ended up eating elsewhere, but that’s another post). It’s definitely a pretty area, in general I would guess mostly upper middle class and upper class homes, and, the presidential residence.

Plaza Vicente Lopez y Planes

The central park, Plaza Vicente López y Planes is beautifully tree lined…

Plaza Vicente Lopez y Planes

And the man himself stands watch in the center of the plaza.

Plaza Vicente Lopez y Planes

I just happened to like this urn… birdbath… no real idea what it was, but it was mounted up atop a tall pedestal.

Plaza Vicente Lopez y Planes

I just had to – I mean, a town in this area that actually has pooper scooper and leash laws! What a novel concept… personal responsibility and concern for others and the environment in Argentina.

Cathedral

The ivy covered town cathedral…

Plaza Vicente Lopez y Planes

…a building that simply caught my eye – modern, somewhat out of place – and clearly caught the eye of others, there’s a plaque on the wall that states the building won first prize in an Argentine architecture competition for the best renovation of a building.

Plaza Vicente Lopez y Planes

The old Cine York theater, a landmark in town.

Plaza Vicente Lopez y Planes

A monument to Juan Carlos Altavista, a movie actor famed for his character as a tramp, Minguito Tinguitella.

Plaza Vicente Lopez y Planes

I didn’t have any trouble finding flower gardens here…

Plaza Vicente Lopez y Planes

…or gorgeous flowering trees….

Plaza Vicente Lopez y Planes

…or beautiful old colonial buildings…

Plaza Vicente Lopez y Planes

…and ending up just after lunch at the local port, where riverboat tours leave from on the weekends, and a surrounding of little outdoor cafes and parrillas (where I should have eaten… but again, that’s another post).


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City of Flowers? https://www.saltshaker.net/20090106/city-of-flowers https://www.saltshaker.net/20090106/city-of-flowers#comments Tue, 06 Jan 2009 12:41:31 +0000 https://www.saltshaker.net/?p=1802 Read More City of Flowers?]]>

&”…the true social and industrial boost begun in 1924 when a Japanese citizen called Gashu, who discovered how fit the zone was for the production of flowers, settled in the land. Along with a group of Japanese immigrant workers, he started the first large plantations. Just five years later producers of Portuguese, Italian, Belgian and Dutch origins were emulating him. Nowadays, with almost 400 floral establishments, this city is the first flower producer in the province. The abundant nurseries, with an enormous offer in plants and flowers, have become a permanent attraction, especially during weekends.”

– from Enjoy South America website

Belén de Escobar – Sounds lovely, doesn’t it? I guess I just missed the area where all those floral establishments are. I knew I didn’t get out to the riverside area, and I did concentrate in the center of town, so maybe the nurseries are out more along the edges (though I did head out Route 25, as noted yesterday, and didn’t see anything but a shopping mall, the zoo, and the brewery where I had lunch). Perhaps I need a guide. Either way, there were some very pretty little plazas in the center of town, all of which the various tourism websites touted as spots to go and see flowers – and there were some, just not the quantity nor quality I’d have expected from “the City of Flowers”.

Belen - Plaza San Martin

No doubt that Plaza San Martín, one of two major plazas that I encountered, is well landscaped…

Belen - Plaza San Martin

And the man’s bust graces the center… lots of grass and trees, no flowers…

Belen - Plaza San Martin

He shares the plaza with Dr. Eugenia Tapia de Cruz, a serious looking woman who appears to have been the founder of the city, the main local church, currently covered in scaffolding and closed, is named after her.

Belen - Monument to the fallen

At one corner of what seems to be the main city plaza is this monument to “those who have fallen”, though there’s no indication of where, how, or why they fell…

Belen - Plaza General de Rosas

General de Rosas merits his own plaza, which actually has some quiet pretty flowerbeds, though not overly well tended at the moment. There’s a nice gazebo on the opposite end from the general’s statue…

Belen - Japanese Garden

The one thing that was open was the Japanese garden – locals, clearly known to the gatekeeper, wander in and out at whim, strangers like myself get blocked and asked for a contribution to enter – but hey, it’s only a peso.

Belen - Japanese Garden

Belen - Japanese Garden

A nice central pond is well stocked with lilypads and koi. Overall, the garden, while pretty, is quite small, and very tranquil. Other than being next to the main park in which an open air rock concert was going on.

Belen - Rene Favaloro

Dr. René Gerónimo Favaloro was the doctor who I gather invented the procedure for coronary bypass surgery. I’m not clear why his statue stands at the side of the central park in Belén – he was born and raised in the provincial capital of La Plata, and much later established his primary clinic out in the province of La Pampa, and further along, a cardiac specialty medical training facility in the city of Buenos Aires. But, here he is.

Belen - Rene Favaloro

There is a small wilted flower patch at the equally decrepit monument to the Malvinas/Falklands war, with missing plaques, lists of names of those who were killed in the battle…

Belen - Rene Favaloro

…more interesting, in the center of this little plaza, a monument to the four folk from Belén and surrounds who lost their lives there – Rodolfo Manuel de la Colina, Orlando de Chiara, Jorge R. Sosa, and Jorge Roberto Inchauspe.

Belen - Rene Favaloro

…and, the sight of this clock down the street as I reach Ruta 25, reminds me of how late it’s getting and that I must be headed out to the brewery, hoping it’s open for lunch.


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Fort Apache https://www.saltshaker.net/20081220/fort-apache https://www.saltshaker.net/20081220/fort-apache#comments Sat, 20 Dec 2008 12:09:26 +0000 https://www.saltshaker.net/?p=1747 Read More Fort Apache]]>

“Fort Apache is not actually the real name of the isolated ghetto that lies four miles to the north of the centre of Buenos Aires. A journalist first coined the phrase after a shoot-out in front of the local police station in the early 1980s and it has stuck ever since. Most of the 30,000 inhabitants of the 22-block labyrinth are descendants of indigenous Indians from the interior of Argentina and bordering countries. It is a self-contained community, with its own set of codes, and a shocking crime rate. Built in two stages, the project was originally part of the Ongania dictatorship’s plan for the eradication of shanty towns in the 1960s but, later, during preparations for the 1978 World Cup, the military government, worried about security and the image Argentina would portray to the rest of the world, rounded up delinquents, placing them, out of sight, in the Ejercito de los Andes estate, a name that has long been forgotten.”

– Neil Clack, The Independent

Map of Ciudadela
Buenos Aires – Most people, including locals, have never been to the barrio of Ciudadela, a part of the Tres de Febrero “suburb” to the west of Buenos Aires. It’s likely that other than in connection with Carlos Tévez, star soccer player who grew up there and now plays for England’s Manchester United team, or perhaps from the evening crime news, they’ve barely considered the place’s existence. My friend Barbara, who is working on a jewish travel guide, wanted to take a quick look at the two jewish cemeteries in the barrio, along with a visit to the national army museum, Museo Histórico del Ejército Argentino. I suggested that on a Saturday it was likely that both cemeteries were closed (and they were), but the museum sounded like it could be interesting, so off we went.

Kaiki - Pique Macho
We of course, had to fortify ourselves for the walk, so having gotten off the train in Liniers, we took a walk around the Bolivian food markets, and then stopped at a little place called Kaiki, where we split a gut-busting platter of pique a lo macho, charred bits of beef mixed with french fries, hot dogs, hard-boiled eggs, and the entire thing covered in mayonnaise – the sort of thing that a drunk fratboy might mix up late at night home from the bar, but a staple of Bolivian casual cooking. And then, the adventure started, which, thankfully, turned out not to be overly adventurous, since neither of us knew about Fuerte Apache, not far off our trail, considered one of the most dangerous spots in Buenos Aires, if not all of Argentina. On the map, we enter from the lower right in Liniers, head up the diagonal of Av. Reconquista, looping under the highway – a young lady escorted us there to show us the way, meanwhile warning us repeatedly that we really probably didn’t want to go over there, it was filled with choros (which means mussels, but is lunfardo, or street slang, for thieves) – but that’s a standard warning that gringos get from locals anytime they go anywhere off the beaten track, we didn’t think much of it – silly us. As it turned out, it was a perfectly pleasant walk, the part of the barrio we were in is relatively safe and quiet, at least during the day, and people greeted us pleasantly as we walked.

The entrance to the Museo Historico del Ejercito Argentino
In short order we found ourselves at the entrance to the museum (it opens at two in the afternoon – don’t head out earlier, and unlike us, take either the 1 (from Liniers station) or 161 (from Plaza Italia, though a very, very long ride – 2 hours) bus which will leave you right in front. Though the young soldier at the gate said they weren’t open until 2:30, he let us in, just letting us know that the buildings on the grounds wouldn’t be open for another half hour.

The grounds of the Museo Historico del Ejercito Argentino
And the grounds are beautiful – tree lined, well-maintained – it’s a different world from that outside the walls. The one staff member on duty for the day, as it turned out, came over and told us that because it’s the off-season, and the weekend, and he was the only one working, he was only going to open one building out of the half dozen – he picked the “Missions of Peace” building, though we would have been more interested in one of the more historic halls….

A tank...
We wandered the grounds for half an hour looking at tanks…

Search and rescue craft
…and search and rescue aircraft.

Buildings at the Museo Historico del Ejercito Argentino
While most of the dingy yellow buildings on site are reasonably well maintained…

Building at the Museo Historico del Ejercito Argentino
…not all of them are.

The Missions of Peace hall in the Museo Historico del Ejercito Argentino
We headed back to meet the young man at the Missions of Peace hall at 2:30… he showed up around 2:50, apologetic, but he’d decided to go have lunch. Inside are various wall displays showing off many of the missions that the Argentine Army has participated in with the United Nations – photos, descriptions, various memorabilia.

The Missions of Peace hall in the Museo Historico del Ejercito Argentino
…also a very colorful display of the mission flags. Meanwhile, the young man started up a computer that blared music into the room along with flashing a “slide” show on its screen from the missions. The choice of music was, to say the least, a little odd, starting with Europe’s Final Countdown and pretty much headed south from there.

Memorial to the fallen in Missions of Peace
We ended our self-tour (during the week, when fully staffed, a guide in each building apparently gives tours regularly throughout open hours) with a look at the memorial to those who’ve fallen in the line of duty during U.N. missions – eight of them, based on the plaques.

Now, leaving, we weren’t quite sure where to go next – figuring that the other cemetery would be closed as was the first down by the Liniers station, we didn’t head there – good move since it would have taken us right through the western edge of Fuerte Apache (the circled area on the map). Our Guia T indicated that the 124 bus had a stop in front of the museum and would take us back to Recoleta – turns out not – and apparently not for some time, as no one we asked had any recollection of the 124 ever running through the neighborhood (and online research shows a completely different starting point for the line). But we’d spotted an interesting looking church a couple of blocks away and walked over to take a quick look…

Saint Anthony's church
…from the outside, St. Anthony’s is just interesting…

Saint Anthony's church
…but inside, worth the quick visit – the whole place is decorated in hand-drawn cartoons of various events that, in many a church, might be illustrated by traditional iconography and paintings by one artist or another. We left the church after a few minutes, asked about buses, the 161 turned out to have a stop just a block away, we waited for a short while, got the bus, and it carted us to Plaza Italia – a mere two hour trip as it wound its way through virtually every western barrio and then on into the northern ones before heading in along Av. Cabildo. Next time, were there to ever be one, the #1 back to the Liniers train station and then the train back in – likely just a half an hour.

By the way, I’m not following Barbara to any more offbeat locations without a little research….


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Stroll Up the Avenue https://www.saltshaker.net/20081218/stroll-up-the-avenue https://www.saltshaker.net/20081218/stroll-up-the-avenue#comments Thu, 18 Dec 2008 13:21:49 +0000 https://www.saltshaker.net/?p=1737 Read More Stroll Up the Avenue]]>

“We would drive up the Avenue, but we haven’t got the price
We would skate up the Avenue, but there isn’t any ice
We would ride on a bicycle, but we haven’t got a bike
So we’ll walk up the Avenue
Yes, we’ll walk up the Avenue
And to walk up the Avenue’s what we like”

– Judy Garland, lyrics from A Couple of Swells

Buenos Aires – When we left off on walking on the last post, we’d made it to the plaza around the Obelisco as we meandered Av. 9 de Julio. There’s really no more to be said about the avenue itself that I didn’t say in that post, other than to note that as one moves further south and away from the downtown area, the street becomes more a mix of residential and commercial, lower height buildings, and the traffic islands tend to be greener and with less in the way of benches, paved pathways, etc…. On to the photos.

Banco Ciudad facade
This is the new facade of the Banco Ciudad buildings – I’m not sure what it’s supposed to represent, but several of them have been redone this way around the city. Certainly colorful!

Club Espanol
The dome of the Club Español…

The Spanish Club occupies an imposing, even dramatic, building that is part Moorish in inspiration, part Antonio Gaudí, with inset tiles, elaborate friezes and ironwork, and an imbricated cupola, atop which stands a bronze classical figure who wears wings and holds out a laurel wreath. At first sight, the combination is too much, too eclectic, yet somehow, in a summer setting amid blossoming jacarandas along one of the city’s busiest thoroughfares, the edifice has great charm. Designed by a Dutch architect in 1907, it is a fair example of Buenos Aires’s genuine cosmopolitanism.– Norman Thomas di Giovanni

Fountain at Av. Rivadavia
I haven’t found out any information about this fountain in particular – there are lots of notes on the fountain at Córdoba, which I covered in the last post, but this one, near to Av. Rivadavia, with four cherubs holding up the basin – no one’s talking about… any help?

Don Quijote statue
At the corner of Av. de Mayo is this odd looking statue of Don Quijote – sort of riding out of a cloud or a rock or a something, clearly in battle – I suppose it’s meant to be one of his fantasy battles and the whole cloud thing is to give it a dream-like quality. Who knows? The statue was a gift from Queen Sofia of Spain when it was installed in 1980, commemorating 400 years since the founding of Buenos Aires.

Ministry of Public Works
I’m about to destroy an illusion… you know that famous “don’t cry for me” speech? The one that in the movie, the play, etc. is always pictured on the balcony of the Casa Rosada? Didn’t happen there. Oh sure, there are photos of Evita giving speeches from that balcony, but not that famous one. Nope, it happened here, at the Ministry of Public Works, one of the uglier towers in the city, and planted smack dab in the middle of traffic at the corner of Moreno. The state television and radio services were based out of here, so it was the ideal spot for her broadcast…

Ministry of Public Works
…and she stood right there at the railing on the second floor above the doorway, giving her speech to the multitudes who blocked off Av. 9 de Julio for the day. Not quite so picturesque, is it?

Luis Jorge Fontana monument
He looks very formal and military, and there’s no question I was at least slightly distracted by the three shirtless boys to the side. However, the plaque on the statue reads, more or less translated as: In Tribute: The Association of Residents of Formosa to Luis Jorge Fontana, the founder of Formosa. Commander Luis Jorge Fontana returns in 2002 on the 156th anniversary of his birth, April 19 1846. Formosa, by the way, is not the island off the coast of China in this case, but one of the northeastern provinces of Argentina.

monument
Nothing I can tell you about this one other than he’s in military dress, missing his nose, and also both plaques that were at one time flanking the pedestal, which is, itself, crumbling.

monument
Another very officious chap – with a flag clasped in his left hand and his right foot crushing a crown on the ground – presumably some sort of anti-monarchy independence sort against King Fernando VII.

monument
monument
A little gleaming white statue with a cherubic angel atop, and the pedestal insribed with dozens and dozens of names of famous Argentine writers and artists.

Paseo de la Ciencia y Arte de Arabe
In front of a branch of one of the local universities is this Paseo de Ciencia y Arte de Arabe, a monument to the contributions of the Arab world to the arts and sciences.

the end
And, finally, 9 de Julio itself ends at the point where it goes up onto the expressway – its service roads continue below the highway, but the Avenue itself ends with as much traffic as it started.


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Wide Open Spaces https://www.saltshaker.net/20081212/wide-open-spaces https://www.saltshaker.net/20081212/wide-open-spaces#comments Fri, 12 Dec 2008 12:47:55 +0000 https://www.saltshaker.net/?p=1722 Read More Wide Open Spaces]]>

“A lot of people are afraid of heights. Not me. I’m afraid of widths.”

– Stephen Wright, comedian

Buenos Aires – While it may not be the most commonly asked question in Buenos Aires, which is probably “Where do I get the best steak?” (an unanswerable query if ever there was one), it certainly comes up a lot – “Is Avenida 9 de Julio really the widest street in the world?” (Just for numbers sake, though there’s disagreement, and it depends where along the avenue, but roughly, it’s 110 meters wide and has 18 lanes of traffic.) But there’s not a simple answer. If you include highways, then no, there are wider highways, both in terms of number of lanes (Highway 401 outside of Toronto has 21 lanes) and physical width. But let’s limit it to streets and avenues. There’s some contention that the avenue that connects the Forbidden City to Tian’anmen Square in Beijing has more lanes, but I haven’t seen a definitive answer. There’s an avenue in Brasilia, Brazil, which is physically wider at 250 meters, and another in Canberra, Australia at the same width, but, both have fewer traffic lanes – the one in Brazil, amazingly at that width, apparently only has four lanes of traffic!

Still, like many things in this country where the people are as proud of their patrimony and claims to fame as they are critical of their own national problems, let’s face it, it’s a really wide street. It’s home to a wide range of architecture, from the Beaux Arts style of the French embassy at its northern end on through modern office buildings, block academic styles, and into low height, simple commercial buildings, almost strip-mall like, at its southern terminus, where it becomes a highway in its own right. I spent a day walking the 26 blocks that constitute the avenue section, with an eye primarily on the wide range of sculptures and monuments that freckle its traffic islands. It’s a somewhat zigzagging walk to make, as at moments the traffic islands are in the center of the whole thing, and at other times the central median narrows to nothing and the side islands widen out into small plazas. A good percentage of the statuary is not identified by inscription or plaque, but I’ve done my best to ferret out information where I could. Just because of the quantity of information, I’ll break this post into parts over the next week or so.

The avenue was planned out for construction in 1911, but the work on it did not begin until 1937. Within four months, the first five blocks, from Mitre to Tucumán were open, but then it took more than forty years to complete the avenue – perhaps a claim to have been the slowest avenue to be built would be in order? It’s name, by the way, commemorates July 9, 1816, Argentina’s “birth-date” – though when planned in 1911, it was to be called Ayohuma after a major battle in the struggle for the country’s independence.

Northern end of Av. 9 de Julio
We begin at the northern end, the exit from the highway that runs along the river, as well as where the service roads come up from Retiro station. The French embassy sits on a point of land at the corner of Arroyo, and a row of palm trees lines the center island.

Northern end of Av. 9 de Julio
Turning around, we look south and on up the avenue – this end is primarily commercial office buildings, with scatterings of interesting architecture.

Green space and places to sit in the medians
I don’t know that the median strip of this avenue is where I’d choose to sit and read, despite its greenery, but it seems to be the spot of choice for a good number of folk, and the entire length of the avenue is lined with either these strange concrete chairs or more typical park benches.

Christopher Columbus statue
The first piece of statuary is this wide-armed commemoration of Christopher Columbus’ discovery of America on the 500th anniversary, October 12, 1992, and is titled Cristobal Colón “En Las Americas”. The bronze and steel sculpture is by Ugo Attardi, a Ligurian artist, who also sculpted the famous heroic sculpture of Ulysses in NYC’s Battery Park; it was donated to the city of Buenos Aires by the Italian government. Interestingly, I’ve seen photos, and originally the entire sculpture was charcoal grey – the base was repainted bright red in, I believe, 2004, at which time a new identification plaque was also placed at its base.

Democracy Monument
Entitled Monumento Democracia, this is a sculpture by Czech artist Gyula Kosice, dated from May 27, 1999. It is constructed of concrete and steel, and, beyond that, and that it’s abstract, I can’t really tell you much about it.

Japanese-Argentine Friendship monument
Celebrating a century of Argentine-Japanese friendship, a centennial which happened on February 3, 1998 (the anniversary of a Japanese Argentine treaty), this sculpture was placed a couple of years later on June 3, 2000. It is entitled Grulla, or “crane” (both kinds, but presumably the bird in this case) and was a gift of the Centro Nikkei Argentino to the city. The work is by Julio Eduardo Goya, a second generation Japanese Argentine, who returned to Japan in 1985.

Fountain at Cordoba
A fountain at the corner of Av. Córdoba, made of masonry and steel, by the Du Vall d’Osne Foundry in France. The only information I could find about the fountain is that it’s been moved twice. Who knew they moved fountains? It was originally placed in the center of Plaza de Mayo, at that time, in 1868, called Plaza de Victoria. Nearly a century later, on May 3, 1960 it was moved to the Parque Los Andes, the long, narrow park to the side of the Chacarita Cemetery. In May 1969 it was moved to its present location. It seems to have become the bathing spot for the local homeless, particularly on hot days.

Relief sculpture of a woman
A block further on is this relief sculpture that is currently behind some construction walls, so I was just able to get a photo of the top of it and can’t tell you more about it at the moment. I had a Star Wars/Hans Solo flashback for a moment….

Teatro Colon
Teatro Colón (Columbus Theater) itself, under renovation for the last year or two and expected, potentially, to be reopened in 2010. I’ll save the teatro for another post one day – I think I still have photos from my first visit there a few years ago, or maybe I’ll wait until the re-opening.

Obelisco
The Obelisco, or Obelisk, a copy in form of the Washington Monument, though less than half the height at 220 feet tall. It took a mere month to build, back in May 1936, commemorating 400 years since the founding of the city. It was designed by local architect Alberto Prebisch.

North plaza at the Obelisco
South plaza at the Obelisco
To the north and south of the Obelisco are two semi-circular plazas, each lined with plaques that are the provincial seals of the provinces of the nation. The plaza to the north is marked by the national flag of Argentina, and that to the south with the coat-of-arms of the City of Buenos Aires. The plazas are popular gathering spots for sports fans after a big win, for demonstrators against one or another thing, and a teen hangout to catch some rays and meet up with friends.

I’m going to leave off here, at the “central marker” point of the avenue, and pick this up in another post….


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Hero of the Two Worlds https://www.saltshaker.net/20081119/hero-of-the-two-worlds https://www.saltshaker.net/20081119/hero-of-the-two-worlds#respond Wed, 19 Nov 2008 13:44:41 +0000 https://www.saltshaker.net/?p=1579 Read More Hero of the Two Worlds]]>

“There is around the name of Garibaldi a halo which nothing can extinguish: a whole life devoted to one object – his country; a name consecrated by deeds of honor, first abroad, and then at home; valor and constancy more than admirable; simplicity of life and manners which recalls the men of antiquity; all the most mournful trials and losses manfully endured; glory and poverty! Every particular relating to such a man is precious.”

– Giuseppe Mazzini, Italian politician

Buenos Aires – Sometimes you just don’t feel like a long walk. Maybe you only have a short few moments on a lunch break, or stepping out of the exhibition center, but you’re here in Buenos Aires, and you know you need to see a sight or two, and there’s one, right there in the middle of the street. We’re at Plaza Italia, a confluence of three major streets, the hub for many a bus line, and an easy reference point when you’re meeting up with acquaintances for whatever you’re up to next. To the east, coming to a point between Av. Santa Fé and Av. Las Heras, is the stretch of the Botanical Gardens; to the north, between Las Heras and Av. Sarmiento, the Municipal Zoo; to the west, the La Rural exhibition complex, and to the south, all of Palermo Viejo awaits. And in the center, in a pretty little plaza, Giuseppe Garibaldi watches over it all.

Plaza Italia - Garibaldi Statue
The plaza is laid out in sort of a squashed elliptical shape, though that wasn’t always its form. When originally designed in the late 1800s it was a small octagon of green surrounding a decorative fountain, and later (1904), the statue of Garibaldi, a gift from the local Italian community to the city. The three major arteries were much more direct, at that time known as Chavango (now Av. Las Heras), De las Palmeras (now Av. Sarmiento) and Paseo Santa Fé (now Av. Santa Fé). A huge portal had been built in the late 1800s as a sort of entrance to De las Palmeras, and it was flanked to one side by the recently opened gardens and zoo and to the other by the first La Rural exhibitions. The city installed the first electric trolley line to start from here, at the Portones station, which is now the Banco Nacion building along Santa Fé.

Plaza Italia - Garibaldi Statue
I’m not going to get into the history of Garibaldi himself, other than a brief outline – he was actually born in 1807 in France, in Nice, though within a community of semi-exiled Italians. In 1833 he joined a revolutionary faction against the current Italian government, ended up “permanently” exiled, went Tunisia, Brazil, and eventually found his way to Uruguay, where he married, started a family, worked as a trader and schoolmaster, and somehow, from that position, found himself appointed as the commander of the Uruguayan naval fleet, defending Montevideo against various invaders. He eventually returned to Italy when the fortunes of government changed, but soon found himself exiled yet again for anti-government military activities, at which time he took refuge in the small state of San Marino. From there he made his way to Tangier, and then on to… Staten Island, then later to England, back to Italy, exiled again, off to Austria, then France, and finally spent his last years on a small island off the coast of Sardinia, where he died at age 75.

Plaza Italia - Garibaldi Statue
Here’s the lowdown, or is it downlow on the statue…. According to the text on one of the four plaques placed around the plaza (in side-by-side Spanish and Italian), it depicts Garibaldi, with sword drawn, atop his anxious horse – anxiety apparently due to being surrounded by various forces out to dispatch his rider.

Plaza Italia - Garibaldi Statue
This figure is the seated Liberty, a female figure with the shield of the city of Buenos Aires in her left hand and a broken chain held loosely in her right fist. Over her head is a small banner that translates to “Liberty is sweeter than life”.

Plaza Italia - Garibaldi Statue
On the opposite side of the statue is a seated female figure of Victory, in a Greek style, crowned by laurels. She has a battle shield tucked under her right arm and a helm for a suit of armor balanced on her left knee; her sword is sheathed – the basic theme being, the battle is over and we won. The banner above her head translates to “Fortune crowns the victor.”

Plaza Italia - Garibaldi Statue
On the front of the statue is a narrow relief depicting the February 8, 1846 battle of San Antonio de Salto, with Garibaldi commanding the local Italian legion in defense of the city of Montevideo.

Plaza Italia - Garibaldi Statue
To the rear, in a narrow space between the statue and surrounding trees, a similar relief showing Garibaldi leading legionnaires from Piedmont and Lombardy against the army of the Bourbons, referred to as La Partida de Quarto.

The rest of Plaza Italia is taken up by a nice array of bushes, trees, and benches. There is a small brick, orange glass block and tile shrine to the Virgin of Lujan (the guardian of travelers if I understand it all correctly). And see, hardly any walking.


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